Art, Art History, and Film Faculty

(All Selected, roughly of the last 10 years; complete listing attached)

• 2019  Schlossgartenhotel, Stuttgart, Germany (as part of the performance team NAF’s Norm is the New Fiction)
•     The Cité Internationale des Arts, Paris, France, Open Studio: Mary Sherman and Mathieu Corajod
• 2018  APO-33, Nantes, France, Mary Sherman
• 2016  Oboro, Montreal, Canada, Dream Mechanics
•   Drive-by Gallery, Boston, MA, Eri after Dark
• 2015  Crafton Hills College, Yucaipa, CA, Waiting for Yves (sound: Yannick Franck)
• 2014  Galleri KiT, Norwegian University of Science and Technology, Trondheim, Norway, Delay
• 2011  Boston Sculptors Gallery, Boston, MA, Waiting for Yves.
• 2010  University of Massachusetts, Amherst, Hampden Gallery, Amherst, MA, At Heart Spike Jones: The Eames Edition
• 2009  Boston Sculptors Gallery, Boston, MA Mechanical Universe: Nocturne
• 2008  Zendai MoMA, /Intrude: Art & Life 366 Project, Shanghai, China, Here Comes The Sun

Group Exhibitions (Selected)

• 2019  Württembergischer Kunstverein Stuttgart, Stuttgart, German, Könnte aber doch (translation: Could be)
• 2016  International Digital Art Biennial (BIAN)/Oboro, Montreal, Canada, Delay (catalog)
•     King Station, Seattle, Washington, 9e2 (9 Evenings: Theater & Engineering, a Commemorative Festival)
• 2015  Kunsthalle Mainz, Mainz, Germany (curator: Thomas Trummer), Views on Mainz
•     New York University’s Loewe Theater, NYC, NY, Electrified Data
•     Harvestworks, New York City, NY, Sound Invasions
•     Elisabeth Anna-Palais, Oldenburg, Germany, Understanding Means Reduction
• 2013  Beijing Forestry University, Beijing, China, X-Dialogue, Part 2
• 2012  Beijing Central Conservatory of Music, “On Native Music,” Modern Traditional Music Festival, Beijing
• 2011  G.O. Gallery, University of Amherst, Amherst, MA, Novel Idea.
•     Rebecca Bryan Gallery, Coastal Carolina University, Conway, S. Carolina, The VESTIGES Project
• 2010  London Biennale, Boston (Satellite Venue)
•     Boston Center for the Arts, Boston, MA Uninhibited
• 2009  1^st Art & Science Festival, Zervas Art & Science, University of Patras, Greece
•     Axiom Gallery, Boston, MA, Collision 14: pov
• 2008  Cushing-Martin Gallery at Stonehill College, Easton, MA, Move Me: Kineticism in Art
•     London Biennale, London
•     Kuandu Museum of Fine Arts, Collaboration: Anticipating the Art of the Future, Taipei, Taiwan
•     Prima Center Projektgalerie, Berlin, 90 Unique Artists,
•     Zendai MoMA, Shanghai, China, Coaster Project /Intrude: Art & Life 366 Project

Curatorial Projects (All Selected, roughly of the last 10 years; complete listing attached)

• 2015  Provincetown Art museum Light, Palette, Action! Maurice Freedman, Provincetown, MA
• 2013  Boston University/I-90, Florian Dombois’ uboc No1 and StuVi2, Boston, MA
• 2010  London Biennale, Satelite Venue Boston, MA
• 2009-2011  Here, There and Everywhere: The Art of Collaboration, 100 World Sites
•     Producer, artist, organizer and curator of a series of exhibitions and performances by artists working collaboratively with people from another country and another discipline to create new collaborative works.
• 2008-2010  Here, There and Everywhere: The Art of the Future, 60 world sites
•     Producer, artist, organizer and curator of a series of collaborator projects for which artists work with someone from another discipline to       cross geographic boundaries to create collaborative works
• 2008  Zendai MoMA, The Coaster Project, Shanghai, China

Exhibitions Bibliography (All Selected, roughly of the last 10 years; complete listing attached)

• 2019  Stuttgarter-Zeigung, “Das Performanceduo Naf feiert den Erfolg,” January 28, 2019, by Nicole Golombek.
•     S-Nord/S-Ost, “Im Stau gegen die Selbstoptimierung,” January 29, 2019, by Susanna Müller-Baji.
• 2018  Boston College Magazine, “The Machinist,” Winter 2018, pp. 46-47
•     Letter to Lucy, A Manifesto of Creative Redemption–In the Age of Trump, Fascism and Lies by Frank Schaffer, Apple Books, p. 277- 299.
• 2017  The Daily Northwestern, “Artist Mary Sherman speaks about art, charity,” April 7, by Jackson Elliott.
• 2016  Le Devoir, “Peintures cinétiques et chatouilleuses,” Nov. 19, by Jérôme Delgado
•     Flux News, “Mary Sherman: Les jeunes artistes doivent se render . .. “, September, by Yannick Franck.
•     ETC MEDIA108, Dans les internets/Inside the Internet, “Delay (2012) de Mary ShermanYou l’audification du regard,” p. 9, June-September 2016, by Abenavoli, Lorella. (peer review)
• 2015  Art in America, “The Agenda: This Week in New York,” by A.i.A. Editors Previews July 21
•     Boston Globe, “In Provincetown,” By Cate McQuaid, September 1.
•     Zeitschrift für Neue Musik, “Forschen mit den Ohren,” p. 65-66, by Anna Beerlink. (peer review)
• 2014  Sculpture magazine, "Boston: Florian Dombois," (as curator for) April 2014, by Jane Ingram Allen.
• 2013  The Boston College Chronicle, "Non-Profit Directed by BC's Sherman Receives $25,000 NEA Grant," May 23, 2013, by the Office of News and Public Affairs.      
•     The Daily Free Press, “CFA Alliance to Increase Abroad Opportunities for Artists,” by Brian Latimer.
• 2012  Art New England, “Mary Sherman of TransCultural Exchange” May 1, 2012, by Christian Holland.
• 2011  Fine Arts Center 1020-2011, UMass Amherst, “Hampden Gallery, Mary Sherman,” p. 19.
•     Boston Globe, “Material Worlds,” Oct. 19, 2011, by Cate McQuaid.
•     Boston Globe, “Aiming to make connections,” April 7, 2011, by Jeffrey Gantz.
•     News Cheonji Newspaper, “Real Interview,” August 2011, by Ji In Lee.
•     World Journal, “TCE-Interconnected World,” April 13, 2011, by Kitty Huang.
• 2010  Boston Globe, “Season for living and color,” July 28 by Cate McQuaid.
•     Gangneung Haslla Internaional Residency 2010, Haslla Open Air Museum Residency, 2010,  . 43-44, 48.
• 2009  Boston Globe, “Various Evidence of Enigma,” July 22 by Cate McQuaid.
•     Big,Red and Shiny, “Big Red On-the-Town: First Friday at SOWA,
•     Berkshire Fine Arts, “TransCultural Exchange Conference,” April 20, by Charles Guilano.
•     Artist, “TransCultural Exchange,” April 2009, Istanbul, Turkey, by Ilgim Veryeri Alaca.

(All Selected, roughly of the last 10 years; complete listing attached)

• 2019  Artist-in-Resident, Cité Internationale des arts, Paris, France.
• 2018  Fulbright Grantee, Specialist, Trondheim, Norway.
•     Summer Research Grant, Office of International Programs, Boston College
•     Gouvernement du Québec and Boston Cultural Council Grants (TransCultural Exchange)
• 2016  Grantee, Artists Resource Trust
•     Summer Research Grant, Boston College Office of International Programs
•     National Endowment for the Arts, Boston Cultural Council, Boston Foundation Grants (TransCultural Exchange)
• 2015  Juror, National Endowment for the Arts
•     Researcher-in-Resident, NTU Centre for Contemporary Art Singapore
• 2014  Finalist, On our Radar    
• 2013  National Endowment for the Arts, Asian Cultural Council, Massachusetts Cultural Council, (TransCultural Exchange)               
• 2012  Fulbright Grantee, Senior Scholar Specialist, Istanbul.
• 2010  Fulbright 33^rd Annual Conference Arts Task Force Co-Chair, Argentina, Buenos Aires
• 2009  Certificate of Recognition, Massachusetts House of Representatives, Boston, MA
•     The Netherland-American Foundation, Boston Cultural Council, Boston Foundation, Asian Cultural Council, Massachusetts Cultural Council, Elizabeth Firestone Graham Foundation Grants (TransCultural Exchange)
• 2008  Member of the College Board’s National Arts Task Force on Arts in Education
•     Artist-in-Residence, Taipei National University of the Arts’ Kuandu Museum of Fine Arts
•     Fulbright Grantee, Senior Scholar Specialist, Taiwan

• Speaker, "Causality or Contingency: What Keeps Culture Going" (conference at the Global Humanities Campus, Freie Universität, Berlin, Germany, 2018).
• Bits, Sights and Sound (Catalyst Conversation with Mary Sherman, Florian Grond and Hiroshi Ishii), MIT's List Visual Art Center, November 16, 2017
• Painting: In Praise of Frozen Sound, Université du Québec à Montréal's Programme de conférences en arts visuels et médiatiques de l'ÉAVM-UQA, Canada (Professor Sherman's talk starts at 7:45 in the video)
• Panelist, "Creating the Global: Lessons from the Art, Literary, Museum and Music Worlds," the Weatherhead Center for International Affairs, Harvard University, Cambridge, MA, 2016
• Keynote speaker, "SID: Sounds, Images and Data Conference," New York University, NY, 2015
• Presenter, "Conference on Curating Sound," Goldsmith's University/The Courtauld Institute, London, UK, 2014
• Beijing Forestry University, "Mary Sherman Recent Work," 2013
• Central Arts Academy, "Mary Sherman," Beijing, China, 2013
• French Cultural Center, "Round Table with Catherine Millet," Boston, MA, 2013
• The Trondheim Academy of Fine Art, Norwegian University of Science and Technology, 2013
• Res Artis Annual Meeting, Tokyo, Japan, 2012
• Rhode Island School of Design (Henry Horenstein's Photography Class), Providence, RI, 2012
• Moderator, "International Artists-in-Residencies," The Derryfield School's Lyceum, Manchester, NH, 2011

• The Daily Northwestern, "Artist Mary Sherman speaks about art, charity," April 7, 2017, by Jackson Elliott.
• Le Devoir, "Peintures cinétiques et chatouilleuses," November 19, 2016, by Jérôme Delgado
• Flux News, "Mary Sherman: Les jeunes artistes doivent se render...," September 2016, by Yannick Franck
• Art in America, "The Agenda: This Week in New York," Previews, July 21, 2015, by the Art in America editors
• Boston Globe, "In Provincetown," September 1, 2015, by Cate McQuaid
• Wikipedia contributors, "Mary Sherman (artist)," Wikipedia, The Encyclopedia (accessed April 15, 2015)
• Sculpture magazine, "Boston: Florian Dombois," (as curator for), April 2014, by Jane Ingram Allen
• The Boston College Chronicle, Non-Profit Directed by BC's Sherman Receives $25,000 NEA Grant, May 23, 2013, by the Boston College Office of News and Public Affairs
• The Daily Free Press, CFA Alliance to Increase Abroad Opportunities for Artists, January 31, 2013, by Brian Latimer
• Art New England, "Mary Sherman of TransCultural Exchange," May 1, 2012, by Christian Holland
• Boston.com/Global Business Hub (The Boston Globe, content provided by Boston World Partnerships), "A Portrait of the artist as global entrepreneur," January 30, 2012, by Devin Cole
• Boston Globe, "Material Worlds," October 19, 2011, by Cate McQuaid

• Boston College Libraries, Faculty Publication Highlights: What if You Could Hear a Painting, by Mary Sherman (2017)
• BNN TV, "It's All About Arts," Interview with Canvas Fine Arts and TransCultural Exchange Conference Speakers, "TransCultural Exchange's 2011 Conference," April 2011
• ORF (Austrian Public Radio: Diagonal-Radio for Zeigenossen), Kindheit auf der Midway Islands, interviewed by Nicole Dietrich, 2011

Books

• MIT Press/Leonardo Electronic Almanac, Mary Sherman: What if You Could Hear a Painting, edited by Lanfranco Aceti, 2016, reissued 2018.
• Editor and article author, Vernon Press, International Opportunities in the Arts, 2019 (peer review).
• Book Cover Illustrations (Selected)
• Random House, London, UK, (drawing), Lark & Termite by Jayne Anne Phillips (2009).
• Harvard University Press, Cambridge, MA. (painting) The Trouble with Blame by Sharon Lamb (1996).
• Penguin Books, London, UK, (painting), The Madness of a Seduced Woman by Susan Fromberg Schaeffer (1991).

Articles and Book Reviews

Note from 1988 – 2003:  Mary Sherman served an art critic, publishing over 400 art reviews, book reviews, interviews and news pieces, starting as the chief art critic for The Chicago Sun-Times and later as a regular contributor of art criticism to the Boston Herald, Boston Globe, Art New England and ARTnews, among others. Additionally, served as a regular contributor of articles on architectural competitions for the academic journal Competitions.

Selected Catalog Essays (All Selected, roughly of the last 10 years; complete listing attached)

• 2015  Light, Palette, Auction: Maurice Freedman, Provincetown Art Museum
• 2011  Welcome to Residence, Tokyo WonderSite, Tokyo, Japan
• Not all Bird’s Sing (catalog forward), Cyberwite, Allahabad, India
• Here, There and Everywhere: The Art of Collaboration, Gateway, Taiwan
• 2010  Gangneung Haslla International Residency, Haslla Art World, Gangneung, S, Korea
• 2009  Here, There and Everywhere: The Art of the Future, Gateway, Taiwan
• 2007  The Tile Project, Doig Printing, Taiwan

Conference Papers, Talks (All Selected, roughly of the last 10 years; complete listing attached)

• 2019  Speaker, “Press Play” Conference at MACRO-ASILO and the British School, Rome, Italy
• 2018  Speaker/and Guest Critic, Norwegian University of Science and Technology, Trondheim, Norway
• Speaker, Global Humanities Campus, Freie Universität, Berlin
• 2017  Guest Speaker, Catalyst Conversation with Mary Sherman, Florian Grond and Hiroshi Ishii: Bits,
• Sights and Sound, MIT's List Visual Arts Center
• Guest Speaker, Grants and Artists in Residencies: Where to Find Them How to Win Them, American Society of Media Photographers, Leslie University, Boston  
• Guest Speaker, Master of Science in Leadership for Creative Enterprises Speakers Series, School of Communications,                  Northwestern University, Evanston, IL
• 2016 Visiting Artist Lecture, “Painting: In Praise of Frozen Sound,” Université du Québec à Montréal, Montreal, Canada
• Artist Talk, Oboro, Montreal, Canada
• Panelist, Harvard University, the Weatherhead Center for International Affairs,“Creating the Global: Lessons from the Art, Literary, Museum and Music Worlds Panelist
• 2015  Sound, Images and Data: All Dressed up and Ready to Go (keynote presentation) at the Sound, Images and Data Conference, New York University, New York;
• Speaker, Cultural Mobility Symposium, CUNY, NYC, NY     
• Speaker, Alliance of Artist Communities, Providence, RI
• Ripples: What Artists Bring to the Community, The Kansai International Symposium: Cultural Crossroads = A.I.R., Yonago Convention Center, Yonago, Japan
• 2014  Audifying Painting: Hybrid Curatorial Practices for Sound Art presented at the Histories, Theories and Practices of Sound Art Curating Conference; Goldsmiths, University of London and the         Courtauld Institute of Art
• Visiting Artist/Speaker, Trans Artists, Berlin, Germany
• 2013  Discussant, Roundtable with Art Critic and Author, Catherine Millet, French Cultural Center, Boston, MA
• Awardee, Creative Capital, On our Radar
• Guest Speaker, Communication University, Beijing, China
• Guest Artist/Speaker Trondheim Academy of Fine Art, Trondheim, Norway
• 2012  Guest Speaker, Artists Fair, Taipei, Taiwan
• Guest Speaker, Rhode Island School of Design, Providence, RI
• Speaker, “X-Dialogue" International Contemporary Art Exhibition Beijing Forestry University, Beijing,
• 2011  Moderator, “International Artists-in-Residencies,” The Derryfield School’s Lyceum, Manchester, NH
• Guest Speaker, Hochschule der Kunste Bern, Bern, Switzerland
• 2010  Panelist, “Arts in the One World 2010”, Brown University, Providence, RI
• Panelist, “Grant Writing,” Boston Arts and Business Council, Boston, MA
• Guest Speaker, New York Artists Circle, NYC, Y
• Guest Speaker, Center for Emerging Visual Artists, Philadelphia, PA
• 2009  Speaker, The College Art Association, “International Residencies,” Los Angeles, CA
• Moderator, MIT Grad Arts Forum, “Artists-in-Residence/Why?,“ Cambridge, MA
• Panelist on the Creative Economy, International Association for Feminist Economics, Boston, MA
• 2008  Speaker, The Fulbright Annual Conference, “The Interconnected World,” Beijing, China.